| For some reason, films
that begin with the word "thirteen"
never seem to be very good. Anybody remember The
Thirteenth Floor? Didnt think so. The
best of the bunch is probably the cheesy 1960
B-flick 13 Ghosts (filmed in
"Illusion-O" by William Castle), where
weak-hearted viewers could opt to not see the
spooks that appeared on the screen by looking
through a special hand-held viewer. Could film
titles containing "thirteen" doom the
movie? If they are, in fact, cursed, then
somebody at Disney must not know about it. They
actually changed the name of this picture to The
Thirteenth Warrior. It was originally called Eaters
of the Dead, like the Michael Crichton book
on which it was based. Maybe somebody wanted to
distance it from Foxs spring cannibal flop Ravenous.
Warrior has actually been finished for
quite some time and, for some reason, dusted off
for a late summer release.
Coming
off as an attempt to combine Braveheart
and Star Wars, Warrior tells the
story of an Arab who is forced to join a group of
brawny Scandinavians that hit the road to save a
village from destruction at the hands of an
unspeakable evil. He is far from being a great
mercenary and actually just happens to be in the
wrong place at the wrong time a toothless
old seer says that the village will be saved by
twelve Nordic brutes and one man "who
isnt from the North." Let me also
point out that the hag spoke one language, which
was translated into another Scandinavian dialect,
which was in turn translated into something else,
and yet again interpreted into the Arab language
spoken by the protagonist. The result seems like
an old Swedish film being uncovered and dubbed by
Omar Shariff. And when was the last time you
shelled out eight bucks to see one of those?
The
Arab, played by Antonio Banderas (The Mask of
Zorro), sets off with the twelve barbarians
the following morning. He cant understand
what theyre saying, cant lift their
giant battle-swords and rides a puny little
horse. Sounds like my first day of high school.
Although they are a jovial bunch, almost
constantly laughing even though theyre
preparing to throw down with something so bad
that its name dare not pass their lips, the men
are skeptical of Banderas, and shorten his
hell-a-long Arab name to Ibn (or "son
of").
During
one particularly silly scene, the film shows Ibn
slowly learning the Scandinavian dialect by
silently listening to his mates talk around the
campfire every night. When he finally masters the
language, the music swells like Luke had just
used The Force for the first time. Ibn also stops
at a blacksmith to whittle his heavy sword into a
thin scimitar and begins to fit into his new
surroundings.
Yeah,
the battle scenes are fun, but in an attempt to
conceal the evil force the warriors are fighting,
they are left murky and jerky. By the way, the
invincible forces sort of look like a saber-tooth
bear that walks upright and rides horses. Try to
keep your eyes from rolling back into your skull
when a crazy old village woman tells the warriors
that the only way to stop the creatures is to
kill their Queen. How original!
Adapted
for the screen by William Wisher Jr., who penned Terminator
2: Judgment Day, as well as Crichtons
upcoming Airframe, and directed by John
McTiernan (The Thomas Crown Affair
which he had time to make after this), Warrior
is a mess of a film. Its not the worst film
in the world, but if you pro-rate its
entertainment value over what it must have cost
to make, youve got one heck of a stinker. I
wish that there were a special viewer for this
"thirteen" film one that would
turn it into something else.
1:54
- for bloody battles
and carnage
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