Never before have the great Bard’s words sounded more clunky than here in Michael Hoffman’s (One Fine Day) screen adaptation of Shakespeare’s whimsical romance. What the Puck happened?

You can’t blame the story – it’s a classic. But why does it take a full 60 minutes for Hoffman’s script to really get moving? You can’t blame the production crew (featuring Oscar winners for Howards End and The Age of Innocence) – they create a wonderfully lush dream world. But its leafy green paradise is almost obscured by a bigger, brighter, olive-hued disaster.

That’s right – I’m talking about Calista Flockhart’s teeth, and the way she shrieks each line sort of makes you want to jam your finger down her throat, too. Love may make fools of us all, but Ally McAnnoying sets a whole new standard. (1:55 – for adult situations and brief nudity

 
 
Disney’s update of the hit television series is as lame as it is uninspired, with its cast reading like a who’s who of Hollywood has-beens and never-will-bes – Christopher Lloyd, Elizabeth Hurley, Daryl Hannah, Wayne Knight, Jeff Daniels…wait a minute. What is Jeff Daniels doing in here? Didn’t he just steal the show in Pleasantville? Does he only read every other script?

In Martian, Daniels (in the Bill Bixby role) plays a Santa Barbara television news producer who stumbles onto a crashed spaceship and meets the alien Lloyd (in the Ray Walston role). He acclimates the visitor to the ways of Earth while protecting him from the exploiters that seem to lurk around every corner. The story is as ghastly as the acting, and Hurley’s performance, while probably intentionally annoying, ranks among the worst-ever by a British actress (and, yes, I am counting the unholy demons of Spice).

At the end, viewers are treated to a preachy environmental message, which is a nice bookend to the ridiculous Mickey Mouse cartoon that precedes the feature. Kids will love the frightening scenes featuring a shirtless Lloyd and adults will cherish the moments when Hurley is braless. (1:28 – for some mild adult situations and a scary alien [a la Men in Black] at the end)

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The latest IMAX film is about an old codger (Omar Sharif, The Thirteenth Warrior) and his granddaughter (Kate Maberly, The Secret Garden), the latter of whom wants to hear her elderly relative tell her exciting stories about Egyptian mummies and curses.  But instead, Grandpa prattles on and on about the history of the Nile and the great civilization of Egypt that was able to excel because of the mighty river.  He goes on about British archaeologists trying to hunt down King Tut’s tomb, while the kid pretends to be interested – just like when your grandpa used to bore you with stories of walking uphill to school in both directions.  Mysteries is just too educational, and that can’t be good – can it?  Egypt’s monuments look amazing enough in pictures and on television.  ‘Nuff said.

0:38 – for God, they should have charged us half-price

 
 
Or as I like to call it, "Meet Joe Nap". A modernization of the 1934 classic Death Takes a Holiday (which clocked in at a lean 78 minutes) starring Brad Pitt as a vacationing Grim Reaper who wants to see what makes us humans tick. His teacher is a successful businessman (Anthony Hopkins) who shows Death the ropes of modern society in exchange for a few extra days on Earth. Oh, yeah. He also has this really hot daughter (Claire Forlani) that Death falls in love with. Every scene drags on with the fervor of a sloth on Quaaludes. There is actually a good movie in there…somewhere. Perhaps if they hacked out about 70 minutes, it could have been a bit more tolerable. (2:57 – for adult situations and a red-hot sex scene)
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Look, Ma - they done dumbed up Simon Birch! It’s basically the same thing except the kid in this one is a Culkin (as in Kieran), while Simon featured an actual physically challenged child actor. Although, now that I think of it, being a Culkin could be considered a handicap as well. The Mighty also offers acting powerhouse Sharon Stone (to Simon’s Ashley Judd). Hey, you make the call. Based on the popular children’s book Freak the Mighty. (1:47 – for violence and slight language)
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