PS-B RATING -
 

There are some things you would never expect certain actors to do.  If Vin Diesel was cast as the lead in a period romance, people would be surprised (unless it was based on Beauty and the Beast or something).  If Meryl Streep played opposite Adam Sandler in a remake of The Blue Lagoon, film fans would be astonished.  And if Denzel Washington ever played a bad guy, the moviegoing public would be so shocked that every organization would throw awards at him, whether he was deserving or not.

Likewise, nobody expects the brilliant William H. Macy, an extraordinary character actor and indie film hero, to make a touchy-feely TV-movie-of-the-week about someone with a physical disability.  But that's just what we get in Door To Door, a film based on the life of Bill Porter, who is portrayed with gusto by Macy.  Bill, a lifelong victim of cerebral palsy, became a successful door-to-door salesman despite lacking just about every physical tool one might think a successful door-to-door salesman would need.

For starters, Bill looks like a cross between a chimp and Alfred E. Newman, and he walks as if fighting to part a hurricane-force wind.  A drooler with a laugh like Herman Munster, Bill is introduced in Door as he struggles to look for work (and it goes slightly less well than when Macy did the same thing back in Focus).  To business owners, Bill appears to be unemployable, but through the constant support of his frail mother (Helen Mirren, Gosford Park), he eventually lands a gig selling cleaning products on foot.

Nobody on his route wants to have anything to do with Bill, but, of course, he slowly begins to wear down even the most stubborn buyer.  In fact, he becomes such a success, he hires Portland State student Shelley Brady (Kyra Sedgwick, What's Cooking?) to give him a hand with the deliveries and whatnot.  It's all so wonderful, I felt like throwing up.  Seriously, though, Door isn't quite as calculatingly manipulative as most made-for-television movies about people with some type of physical problem, but it was still laden with more cheese than I can typically bear (especially the scene where Bill lectures Shelley about a derogatory comment she made about a gay couple on the sales route).  And the little Forrest Gump-like introduction of things like Viet Nam, disco, AIDS and home computers that revolutionize the American landscape over Door's 40 years was just too much to take.

Macy, who co-wrote Door's script with director Steven Schachter (they also collaborated on TV films A Slight Case of Murder, The Con and Every Woman's Dream), is about the only reason you'll want to tune in, as he gives a very strong performance in a very physical role.  Mirren classes up the scenes in which she appears, but her character suffers from Alzheimer's disease (what a gene pool, huh?) and disappears halfway into the film.  Kathy Baker (Boston Public), who I always thought resembled Mirren, does not play a Porter relative but is the lonely alcoholic woman who becomes Bill's first sales victim.
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