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Kevin
Bacon is hardly in his latest film Hollow
Man. It’s not
that his part is small, but he plays a scientist who develops a
concoction that can make people invisible.
Like any maniacal super-genius worth his weight, he
injects himself with the stuff and ends up out of sight for most
of the picture. You
have to wonder if Bacon received his normal acting fee for a
film that features mostly his voice.
Hollow
Man
seemed like a pretty cool concept.
We haven’t seen a decent movie about an invisible
character in ages, and all of the films that have tried recently
fail miserably because they make the main character sympathetic
to the viewer (like Bill Cosby’s Ghost
Dad or Memoirs of an
Invisible Man with Chevy Chase).
If I have to see a movie about an invisible man, I damn
sure want it to be about a guy that’s hell-bent on turning the
world upside-down. That’s
what made the original 1933 H.G. Wells classic with Claude Rains
so entertaining. Rains’
Dr. Jack Griffin had one of the coolest lines ever.
Once he discovered his ability to roam about the city
undetected, he declared, “I shall begin with a reign of
terror.” Nothing like getting right to the point.
There was another line about making the world grovel at
his feet, but I forget the exact quote.
Unfortunately,
Hollow Man isn’t in
the same league as the original James Whale-directed classic.
It starts promisingly enough, but then degenerates into
the typical horror film where a homicidal maniac starts picking
off characters one by one (and they never kill him when they
have the chance). Although the special effects are downright dazzling, the
problem with Man is
that it’s just not scary at all, especially coming on the
heels of the year’s best creep-fest, What
Lies Beneath.
Bacon
(My Dog Skip) plays
Sebastian Caine, the egomaniac lead scientist working on a
top-secret project for the U.S. military.
As Man opens, Caine and his co-workers have created two serums – one
to make you invisible, and one to make you visible. Although they’ve successfully tested the red and blue juice
on a gorilla, Caine tells his overlords at the Pentagon that he
needs more time to work on his project.
It’s just an excuse, as Caine is reluctant to hand over
control of his “baby” to the government.
Instead,
Caine decides to inject himself with the serum in what is
supposed to be a controlled three-day experiment.
Of course, things don’t go as planned (they never do),
and Caine ends up terrifying his co-workers in their remote and
secure laboratory. Like
I said, things start promisingly, with Caine fondling the boobs
of a co-worker and sneaking into a neighbor’s apartment to
watch her get undressed. But
it’s all downhill from there as the character is basically
reduced to an angry Peeping Tom.
Is Caine’s problem a medical side effect, or just a
zany power trip? I don’t know, but you do get to see his package on several
occasions and in several different stages of animation.
If
anything, Man will be
good for helping people play the "Six Degrees of Kevin
Bacon" game. Man
features a healthy cast of “B” and “C” list stars that
should make the game easier.
Elisabeth Shue (Molly)
plays Caine’s ex-girlfriend, who is currently seeing a fellow
scientist played by Josh Brolin (The
Mod Squad). Greg
Grunberg (Felicity), Joey Slotnick (Pirates
of the Silicon Valley), Kim Dickens (Mercury
Rising) and William Devane (Payback
and the upcoming Space
Cowboys) round out the cast.
Now I can do The White Power Ranger in two moves.
Man
was directed by Paul Verhoeven (Starship
Troopers), who probably makes the most out of Andrew W.
Marlowe’s (End of Days) disappointing script.
Verhoeven (and his usual cinematographer Jost Vacano)
know how to make a film appealing to the eyes, and Man’s
frightening special effects are probably the best I’ve seen
since The Matrix, but
the dialogue is atrocious and the one-liners grow cornier and
cornier as the film goes on.
Are the effects worth the price of admission?
Probably. And
the good parts are all in the first 30 minutes, so you can even
leave early and avoid the rest of the second-rate story.
1:49 –
for adult
language, nudity, and graphic violence
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