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Writer/director
Amy Heckerling’s last film won the Best Screenplay Award from
the National Society of Film Critics.
Clueless was a
cleverly written modern adaptation of Jane Austen’s Emma,
and the film established Heckerling (Fast
Times at Ridgemont High) as one of Hollywood’s
quintessential teen romance/comedy screenwriters.
Since
wallowing in critical praise for Clueless,
Heckerling’s track record has been, at best, spotty. She produced three bombs in a row – Saturday Night Live’s
awful A Night at the
Roxbury, the almost-direct-to-video flop Molly
and even a short-lived television series based on Clueless. With the
release of Loser, the
tally hits four in a row.
Loser
re-teams American Pie
co-stars Jason Biggs and Mena Suvari as New York City college
students. It’s
your typical three-act film where a boy meets a girl in the
first, tries to win her over in the second, and just about gives
up until the last five minutes of the third.
There’s nothing here you haven’t seen before, except
possibly for the brash new levels of product placement that Loser
achieves. It’s
hard to tell if you’re watching a long commercial for Sam
Adams beer, a paid advertisement for Everclear’s new album, or
an actual film.
Biggs
(Boys and Girls) stars
as Paul Tannek, a freshman on a full academic scholarship from a
Midwestern town full of people with bad haircuts covered by hats
that are even worse. He’s
the first person in his family to go to college, and although
he’s smart enough to have earned a full ride (with meal plan
included), Paul is worried about his lack of big-city
sophistication and fancy book-learnin’.
We find out that he’s one clumsy bastard from the funny
montage that plays during Loser’s
opening credits.
Suvari
(American Beauty)
plays fellow freshman Dora Diamond, a native New Yorker that
lives at home with her mom (although we never see her) and pays
her tuition with tips earned at a Manhattan titty bar.
Dora is also having an affair with her slimy European
Literature professor Edward Alcott (Greg Kinnear, What
Planet Are You From?), who treats her like dog crap and is
embarrassed to let people know about their relationship.
Although
Paul and Dora seem like total opposites (she’s street-smart;
he’s a mugger’s dream), the two losers are more alike than
they appear. Professor
Alcott walks all over Dora, while Paul’s three hard-partying
roommates (Zak Orth, Thomas Sadoski and Jimmi Simpson) turn his
dorm life into a living hell. Paul gets kicked out of his quarters, Dora loses her job, and
the two begin to spend more and more time together.
Biggs
is an extremely likeable actor that makes the most out of
Heckerling’s limp material.
Besides Hugh Jackson (X-Men)
and Owen Wilson (Shanghai
Noon), I can’t think of a relatively new actor that has
impressed me as much as Biggs.
On the other hand, Suvari is just plain annoying.
She’s whiny and she can’t act, and the more she
whines, the more obvious it becomes that she doesn't have the
chops. Kinnear
plays the smarmy prick professor to perfection, but one has to
wonder if he’s really acting, or just serendipitously cast.
Heckerling’s
direction isn’t bad, but her script is almost downright
boring. You
practically sit around waiting for the next unexplainable cameo
from a stand-up comedian (Steven Wright, Bobby Slayton, Andy
Dick, Andrea Martin, David Spade) until the inevitable
conclusion is reached in the film’s final reel.
And just when you think Heckerling’s screenplay has hit
rock-bottom, Loser
offers really lame explanations for what happens to each of the
characters right before the closing credits.
1:30 –
for adult
language, mild violence and light sexual dialogue
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