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After
his edgy independent debut, The House of Yes, director
Mark S. Waters crapped out a pair of glossy Hollywood
"hits" in Head Over
Heels and Freaky Friday.
With his latest – Mean Girls – Waters shows he
didn't actually sell his soul to the devil for a lucrative
career making tired vanity projects for people who don't deserve
them. The film is
clever, witty and biting enough to make you wonder how it got by
with a PG-13 rating. Then
again, these positive aspects of Girls have much more to
do with the material than Waters' direction.
But at least it's a step away from the dark side of
filmmaking.
Girls
was written by Saturday Night Live head writer Tina Fey,
who adapted the story from Rosalind Wiseman's New York Times
non-fiction article-turned-book about the hierarchy of the
teenage universe, with a concentration on how bitchy girls can
be (what a revelation!). Friday
alum Lindsay Lohan plays Cady Heron, a 16-year-old who, until Girls'
credits start to roll, was raised and home-schooled by her Wild
Thornberry-type family in Africa.
When the 'rents finally decide to settle down in a
wealthy Chicago suburb, Cady has to attend a real school
for the first time, a task as daunting as you might imagine (my
cousin experienced the same thing after spending his formative
educational years in a tiny land mass in the Virgin Islands).
Initially,
Cady befriends the school's prerequisite Lesbo Goth Chick (Lizzy
Caplan) and Overweight Snarky Homosexual (Daniel Franzese), who
teach her the ins and outs of cliques.
When Cady is given the opportunity to join The Plastics
– a triptych of shallow, fashion-obsessed model-types – she
decides to infiltrate their ranks, reporting back to LGC and OSH
so they can devise means to destroy not only The Plastics, but
the entire way of high school life as they, you, or I know it
(my cousin, to the best of my knowledge, tried nothing like this
when he finally got to a school that had more than one room).
The
hijinks that follow will be shocking to anyone who thinks
they're going to see Confessions of a Teenage Drama Queen II.
They might actually be a little shocking even if you're
used to Fey's wickedly dark sense of humor on SNL, and
that's because most films about high school life – especially
those starring the latest Tween pop sensation – tend to shy
away from portraying high school life as anything but completely
unrealistic. Not Girls,
though. If it didn't cop out with a sappy-crappy ending, people
might be talking about it as if it were Heathers or Election. Instead, it's a 10 Things I Hate
About You at best.
Not bad company, but it could have been so much better if
Cady blew up the school or accidentally poisoned one of the
Plastics.
I
haven't seen Lohan in a film since her dual performance in The
Parent Trap and was pretty surprised at how decent she was
in Girls (I was expecting more of a Hilary Duff turn).
The Plastics are sufficiently hot (The
Hot Chick's Rachel McAdams), slutty (Party of Five's
Lacey Chabert) and brain dead (Amanda Seyfried).
Fey, however, is slightly more plastic that you might
expect, following the sad path of a devilishly funny comedian on
their best behavior so they won't ruin their aspiring film
career. And,
please, don't be scared by the number of former/current SNL
members in attendance (Fey, Tim Meadows, Ana Gasteyer, Amy
Poehler).
Waters
does well with a goldmine of a script and is at his best when Girls
offers slo-mo shots that compare the actions of typical high
school students to that of jungle animals, for Cady's
jungle-knowledge benefit. Here's
to hoping he sticks to less conventional material in the
future.
| 1:33
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for
sexual content, language and some teen partying |
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