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Once
Upon a Time in the Midlands is both the final film in Shane Meadows' loose Nottingham Trilogy and a
spaghetti western disguised as a modern British dramedy.
The latter might be lost on the slower viewers who aren't
able figure it out from the title and the Ennio Morricone-ish
score. Actually,
those of you who do pick up on the whole western thing won't be
much better off for it. The
idea is not developed very well, and it leaves Midlands
depressingly uneven because we know Meadows is capable of much
better.
Following
Twenty Four Seven and A Room for Romeo Brass, Midlands
starts within a British television talk show called Face 2
Feltz (the host, Vanessa Feltz, might be the equivalent of
Jerry Springer). On
the show, Welsh garage owner Dek (Rhys Ifans, The
Shipping News) surprises his live-in girlfriend Shirley
(Shirley Henderson, Harry Potter and the
Chamber of Secrets) by proposing to her right there on
live TV. But unlike
any public marriage proposal I've ever had the displeasure of
seeing, Shirley says no.
Meanwhile,
Shirley's ex, Jimmy (Robert Carlyle, The
Beach) is watching the show from Glasgow and decides
he'd like to win his woman back from the seemingly pathetic Dek.
We eventually learn Jimmy left Shirley and their daughter
several years ago to take up the life of a small-time criminal.
After some initial hesitation, Jimmy begins to worm his way back
into the lives of Shirley and 12-year-old Marlene (Finn Atkins).
And
therein lies the bulk of Midlands' problem: We're just
not sure who we're supposed to be rooting for; Jimmy or Dek. Or should we have our fingers crossed for Shirley to send
both men packing? If
we follow the whole Western movie logic, Jimmy's the bad guy and
Dek is the good guy. But
it's fairly clear the quiet and timid Shirley is bored with Dek
and that it's Jimmy who stokes her fire.
There's
more trouble, too. Meadows
and his co-writer Paul Fraser add several promising subplots,
but none of them are satisfactorily fleshed out. I would have
loved to have seen more of Jimmy's days of robbing, or his
brother-in-law "Nashville" Charlie (Ricky Tomlinson, The
Royle Family) who performs country covers at a local pub.
On the plus side, the acting is solid all around, despite
the limited range the script allows the on-screen talent.
And once again, Meadows gets another strong performance
from a young actor with little experience (Atkins, in this
case).
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