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The 2000
summer movie season is just about half over and, so far, the big
action blockbusters that seemed the most promising when we were
all still wearing hats and mittens have really let us down.
M:I-2? Forget about it. Gone
in 60 Seconds? Plot
holes bigger than the Grand Canyon.
And you can chalk this one right up there with the
others. The
Perfect Storm is the perfect bore and, although it’s only
a two-hour film, it seems like a three-hour tour. A three-hour tour.
That’s not
to say that the film adaptation of Sebastian Junger’s
best-seller about the fate of the Andrea Gail isn’t without
merit. The effects
are, at times, pretty good, and the acting is, for the most
part, solid and well-cast.
But I had problems with Storm right from the
opening credits, which are displayed over a monument to those
that have died at sea in and around Gloucester, Massachusetts,
where the film takes place.
If you didn’t know the ending before you walked into
the theatre, the whole thing is ruined for you two minutes into
the film.
Storm
re-teams Three Kings co-stars George Clooney and Mark
Wahlberg - the former playing sword-boat skipper Billy Tyne to
the latter’s little buddy named Bobby Shatford (Clooney and
Wahlberg are trying to be the Hepburn and Tracy of the new
millennium). The film opens in the fall of 1991, where Tyne and his crew
have just returned from the latest in what we learn is a long
string of unsuccessful fishing expeditions.
Because of their light load, each earns a lot less money
than they had expected. The
cash is doled out by Andrea Gail owner Bobby Brown (Michael
Ironside, The Omega Code), who is so unlikeable that they
might as well have given him an eye-patch and a peg-leg.
Believing
that there’s a lot of fish out there somewhere, Tyne
reassembles his reluctant crew for one last run. Tyne guarantees them a huge haul and tons of money, both of
which he plans on accomplishing by venturing further into the
ocean than these fishermen usually go.
So they kiss their wives/girlfriends goodbye, pack up the
provisions, and head for the Flemish Cap, which sounds like
something that might be worn in an Adam Sandler film, or perhaps
a European contraceptive device.
What they
encounter, of course, is the storm of the century, as Category 5
Hurricane Grace meets up with a bunch of Canadian cold fronts
right on top of the Andrea Gail.
There are two-hundred-mile-an-hour winds and hundred-foot
waves. But if
you’re thinking that the film is going to be an
edge-of-your-seat adventure, you might want to show up late
because it takes well over an hour before the water even starts
to get a little bit choppy.
In addition
to the monotonous waves that grow more and more tiresome, Storm’s
shots are so tight on the action and so logged with water spray
that you can barely tell up from down. Director Wolfgang Petersen (Air Force One) and
Oscar-winning cinematographer John Seale (The Talented Mr.
Ripley) don’t offer much more than dark and wet.
Yes, I understand that the real Andrea Gail was probably
very dark and very wet, but that doesn’t mean that the film
had to recreate the look and feel to the point that it is here.
You might as well watch wearing a blindfold.
Although
based on real people, I found the supporting roles to be little
more than typical stock characters. There’s the jaded and grizzled captain (Clooney), the eager young kid (Wahlberg) with an attractive girlfriend, the bitter divorced guy (John C. Reilly, Magnolia),
the rat-faced loser (John
Hawkes, Blue Streak), the down-and-out unemployed guy
(William Fichtner, Drowning Mona) and the black guy that
hardly has any screen time (Allen Payne, A Price Above Rubies).
For a while, I was sure he’d be the first one bumped
off, but the “Brother Rule” doesn’t apply to Storm.
It’s also funny to think about the years and years that
Wahlberg has probably spent with a dialect coach in an attempt
to cover up his natural South Boston accent, only to drag it out
of the closet here.
Also
annoying is the performance of the usually dependable Diane Lane
(My Dog Skip), who plays Shatford’s girlfriend.
She probably has underwear older than Walhberg, and she
gets to toss in the time-honored “I have a bad feeling about
this trip” line before the ship sets sail. Yeah, and you see
dead people, too. Storm
also wastes a ton of time on the fate of three other people
trapped in the storm on a separate, smaller craft and their
attempted rescue by a Coast Guard helicopter. The
tug-at-your-heart score comes compliments of James Horner (Titanic),
who they must trot out for every water-themed action/drama film.
2:00
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for language and scenes of peril
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