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Like Frank
Darabont has cornered the unique market of Stephen King-written
period prison films (The Green Mile
and The Shawshank Redemption), Sean Penn is making a name
for himself by directing films that star Jack Nicholson and use
the death of a young girl as the story’s catalyst.
The two, along with Penn’s wife Robin Wright, made a
pretty decent but largely unseen 1995 film called The
Crossing Guard, in which Nicholson plays the vengeful father
of a girl killed by a drunk driver.
The
Pledge pits Nicholson (As Good as it Gets), playing a
retiring Reno cop named Jerry Black, against a serial killer who
rapes and murders little blonde girls with red dresses.
The most recent slaying interrupts Jerry’s retirement
party, but the dedicated detective chooses to can his
celebration and investigate the crime scene.
After promising the girl’s mother (The
Green Mile’s Patricia Clarkson) that he would find the
person responsible for the murder, the police get a quick
confession from a retarded mountain man (Benicio del Toro, who
mumbles a la Fenster from The Usual Suspects and sounds a
bit like Yoda).
Jerry, like
any other screen dick worth his weight in donuts, doesn’t
believe they got the right guy, but his boss (Sam Shepard, All
the Pretty Horses) and arrogant young partner (Aaron
Eckhart, Erin Brockovich)
think Jerry is just reluctant to let go of his last case.
Blowing off his retirement party present of a fishing trip to
Cabo San Lucas, he begins a rogue investigation into the brutal
murder. Like del
Toro’s quick appearance and exit, there are a handful of great
one-scene appearances from numerous acting giants like Helen
Mirren (Teaching Mrs. Tingle), Vanessa Redgrave (Girl
Interrupted), Harry Dean Stanton (The
Green Mile) and Mickey Rourke (Get
Carter…okay, maybe he’s not an acting giant).
The
Pledge kind of shifts gears when Jerry buys a tiny gas
station in the area where the murders took place.
He also befriends single mom Lori (Wright Penn, Unbreakable)
and her young, blonde daughter, eventually inviting them to live
with him in the home above his gas station.
It becomes clear that he is using Lori’s daughter as
bait for the killer, providing his Jerry with one of the best
character flaws in recent memory.
He clearly will stop at nothing to catch the suspect, and
you can tell the pursuit has completely taken over every aspect
of Jerry’s life. There’s
a scene where Jerry reads fairy tales to the girl as they lay in
bed, giving a whole new frightening dimension to the Brothers
Grimm and raising questions about the identity of the killer for
the more imaginative viewer.
Fans of
non-stop action will probably start groaning during the film’s
middle portion, which is full of what may seem like a whole lot
of superfluous stuff. But
this isn’t an action film.
It’s something that makes conventional audiences
shudder: a
character study – something we don’t get to see much of
nowadays in a major release.
And it doesn’t come as much of a surprise to find it in
a film directed by an actor. Penn wrote his previous two directorial efforts but The
Pledge was based on Swiss author Friedrich Dürrenmatt’s
book (adapted by Jerzy and Mary Olson-Kromolowski), leaving Penn
to focus his talent solely on the film’s direction, and the
result is startling. It’s
easily Penn’s best behind-the-camera work yet, as well as a
considerable improvement over The Crossing Guard.
This
is also the best Nicholson has been in several years.
He is extremely believable as a man unhinged by both a
savage crime and his own futility.
The Pledge also marks the third major release in
the first three weeks of 2001 to feature Traffic’s
del Toro (making ’01 the Year of the Bull), and one of two due
in theatres this week where the actor is unrecognizable and
doesn’t last too long (the other is Snatch).
In addition to a handsome score from Gladiator’s
Klaus Badelt and Hans Zimmer, The Pledge is also
beautifully photographed by two-time Oscar winner Chris Menges (The
Mission, The Killing Fields).
| 2:03 – |
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for adult language,
light sexual content and some pretty graphic crime scene
photos |
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