| A gorgeous-looking but
uneven twist on Robin Hood, Plunkett
& Macleane reunites two Trainspotting
stars as criminals that rob from the rich, but
keep the wealth for themselves rather than
passing it along to the poor. The promising
directorial debut from music video director Jake
Scott brings to mind Baz Luhrmanns Romeo
+ Juliet another pic that modernized
(to an extent) a period piece. The script is a
bit of a mess, but the films astonishing
look is more than enough to offset any story
problems. Set in 1748 London, the
film opens with Captain James Macleane (Jonny Lee
Miller, Hackers) en route to debtors
prison. His stagecoach crashes with another and,
while crouching in the darkness, Macleane
witnesses two shadowy figures rob the passengers.
One crook swallows a giant red jewel after being
shot by the approaching authorities. As he lies
there slowly dying, the lawmen press his wound in
an attempt to procure the name of his accomplice.
The wounded criminal doesnt finger his
friend and Macleane watches as he is put out of
his misery.
Several
days later, the on-the-lam Macleane watches the
outlaws funeral from a distance and returns
that night to dig up the body and fish the jewel
out of the cadaver. But his grave-robbing is
interrupted by the dead mans partner, who
has returned to lay claim to the jewel. His name
is Plunkett (Robert Carlyle, Ravenous)
and, with his gun to Macleanes head,
Plunkett makes him delve into the corpses
innards in a very disgusting-looking and sounding
scene. They eventually surrender as authorities
surround them and Plunkett swallows the oft-eaten
jewel for safe keeping.
In New
Gate Prison, we discover that Macleane is
formerly of wealth but ended up in tattered
clothes because of monstrous gambling debts.
Plunkett approaches him with a plan use
the jewel to buy their way out of the clink and,
once freed, join forces to rob the rich. Macleane
agrees, but the two must wait until Plunkett
passes their bauble, which eventually hits the
metal pan with a satisfying "clang."
The
plan includes reestablishing Macleane as a
"gentleman" in local society as he
stakes out the ritziest parties in town in an
attempt to learn the most vulnerable rich folk to
rob. He loses money gambling at these parties
only to promise "Ill get ii
back," which he does and then some
as he and Plunkett hijack the marks
stagecoach on the way home. Macleane will even go
so far as to copulate with disgusting richies and
at one point gets a bad case of "the
pox," an early venereal disease. Later, the
men disrupt the heifers wedding, robbing
its opulent guests during a fantastic fireworks
display in this great-looking scene.
As
their escapades continue, their notoriety rises,
as well as their reward for capture. Plunkett and
Macleane even knock over an important figurehead
in local government, who happens to be escorting
his lovely young niece (Liv Tyler, Cookies
Fortune) for whom Macleane fall. Of
interesting note, this is Tylers second
period piece that features characters drawing at
ten paces. The other is the upcoming Ralph
Fiennes film Onegin.
The
pictures modern twist includes piercing,
prominent cursing, widespread gambling and the
use of modern music, which is a bit distracting
at first, but as the film continues you realize
that its better than the typical
harpsichord crap that would ordinarily accompany
a frocky period piece like this. Critics will
probably laugh this film off, but its fantastic
looks especially the nighttime robbery
scenes appear to be equal to that of the
upcoming Sleepy Hollow (at least from what
Ive seen from the trailer). The hodgepodge
script comes from five writers and the movie was
filmed in three locations - London, Prague and
Spain.
1:33
for some strong
violence, sexuality and language
|