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A lot can happen in four years. For starters, somebody like Vin Diesel can go from A Decent
Performer in Ensemble Films (Boiler Room, Saving
Private Ryan, The Fast and the Furious) to becoming
The Biggest, Dumbest Action Star This Side of That Guy Who Used
to be a Wrestler. Also,
four years can take a character like Diesel's Richard B. Riddick
– the bald convicted killer/anti-hero of David Twohy's Pitch
Black – and turn him into Rob Zombie.
That's who Riddick looks like, after spending the last
half-decade on the lam from unscrupulous bounty hunters.
Once Riddick is found, however, he's
dropped into some crazy scenario about a power-mad race (the
Necromongers) that wants to hang out in their version of
paradise (the Underverse).
I don't know about you, but when I hear names like that,
I start tuning out and thinking about different kinds of pie.
Maybe that's why I had no idea who the people Riddick found
himself surrounded by were, where they were going, or why they
were going there. Truth
is, I don't think anyone will care too much about any of those
superfluous things, either.
Who would, when you can have a seizure over the film's
hyper-editing and HR Giger-inspired art direction.
Chronicles is – for a picture that
already has a videogame spin-off, an animated prequel, and two
more films in the hopper – way better than it should be.
When it comes to taking a crap story and turning it into
something watchable, this Twohy feller sure knows what he's
doing. Granted, Chronicles
has about as much to do with Pitch
Black as Saddam does
with Al Qaeda, but that's beside the point, right?
Chronicles reminded me much more of Stargate,
with its North African-type look (maybe the terrorists have
already won) to both the characters and the sets.
It also reminded me of Minority Report, but only
in that one scene where Twohy rips off that film's Precog
characters. Also of
note: There aren't any werewolves, per se, though there are
creatures that look an awful lot like werewolves. That makes five movies in a row with lupine creatures for me
(The Day After Tomorrow, Harry Potter 3, Van
Helsing, and Andrea Martin in New York Minute).
Speaking of Tomorrow, Chronicles
has a couple of scenes where characters are forced to outrun the
weather. Instead of
a crippling cold, they're being chased by a sunbeam that raises
temperatures to 700 degrees.
I mention this only because characters protect themselves
from this ungodly heat by hiding behind rocks, and that makes me
laugh.
So does the fact that Judi Dench is in a
Vin Diesel movie. But
if you think about it, Dame Judi is no stranger to Dumb Action,
since she's also appeared in the last few awful offerings of
James Bond. Colm
Feore (Paycheck) does more of his bad guy schtick;
Thandie Newton (The Truth About Charlie) tries but can't
hold a candle to Laura Linney in terms of Lady Macbething up the
joint; and Karl Urban makes you say, "Hey, where do I know
that guy from?" (he was Eomer in The Lord of the Rings).
Meanwhile, Alexa Davalos (Angel) made my tongue
hang out, and if that's all you ask of your action movies,
you'll be as happy as an unemployed boob waiting in line to look
at a box full of some smelly old ex-actor.
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for intense sequences of violent action and some
language |
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