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Sports
films – if you've seen one, you've seen them all, with very
few exceptions. The
Rookie, however, is not one of those exceptions.
It's a paint-by-numbers, cliché-riddled story that has
one thing working in its favor:
It's based on stuff that really happened.
It's difficult to fault films for being cliché-heavy
when they're based in reality, but I have an even tougher time
admiring a picture simply because the events it depicts actually
took place.
The
Rookie
is about a guy in his mid-30s named Jim Morris (played by
47-year-old Dennis Quaid, Traffic)
who, as you probably already know from the film's revealing
trailer, became a major league pitcher after he discovered the
injured arm that cost him a shot at the Big Show as a teen was
suddenly capable of hurling a baseball 98 miles per hour.
Through the picture's tedious and superfluous opening 25
minutes, we learn Jim's dad was a distant, unloving Navy dad
(Brian Cox, Super Troopers)
who moved the family around too often for his son to establish
roots with any one Little League team (the horror!).
The family finally settled in Big Lake, Texas, a dusty
town in the middle of nowhere that has a proud (and slightly
surreal) baseball history but, for whatever reason, opted not to
make the sport available to its youth.
As the film progresses, we're able to put together the
unseen story of Jim's short-lived baseball career, which saw him
being drafted by a big league team, immediately blowing his arm
out and, finally, settling down to raise a family of his own.
Flash
forward several decades, where Jim is now the Big Lake High
science teacher and coach of their struggling baseball team that
gets little respect and even less funding from the
football-crazy school. In
an attempt to motivate his ragtag bunch of players, Jim agrees
to give professional baseball another shot if they make it to
the state playoffs, which, of course, they do.
This is where most baseball movies would end, but it
constitutes only the first half of The Rookie.
The
second half – and this is a two-plus-hour film – shows Jim
sacrificing everything to reestablish his pitching career,
shocking everyone (himself included) when his fastball is
clocked in the high 90s. He
works his way through the minor leagues and, in the final reel,
becomes a relief pitcher for the Tampa Bay Devil Rays.
Ordinarily, divulging something that happens this late in
the film would be considered a spoiler, but this stuff is all
right there in the trailer.
There's
plenty that doesn't work in The Rookie, with the
129-minute running time coming in at number one.
I've seen plenty of films that could have been
significantly pared down, but never one that would have been
better if somebody simply threw the first reel in the garbage.
Rachel Griffiths (Six Feet Under), who plays Jim's
devoted wife, gets little to do other than sport a Texas accent
that is much less successful and nearly as annoying as her
intonation in Blow (in all
fairness, though, a native Texan would probably do much worse
trying their hand at an Australian accent).
Conversely,
there are a few things that do work, and the biggest is probably
Quaid's performance. There
aren't a lot of guys who could have pulled off a role like this,
and since we're tired of seeing Kevin Costner try to do it,
Quaid is practically a welcome sight (my high school science
teacher got sued for sexual harassment, so maybe anyone else
would have seemed acceptable).
The film is good at calculatingly pushing your buttons,
offering several lump-in-the-throat-inducing scenes, and the
audience at my screening really seemed to like Jim's young son
Hunter (Angus T. Jones, See Spot Run),
though I grew tired of his non-stop mugging (I think he attended
The Bill Cosby Academy of Acting).
I dug the way The Rookie depicted minor league
baseball fans as dolts who are way more into the between-inning
gimmicks and giveaways than the game itself.
The film is rated G, and it even casts the real Jim
Morris as one of the AA umpires.
But
here's the biggest thing The Rookie has going for it:
Any film that features a middle-aged white guy doing
something every other middle-aged white guy has always wished he
could do (Lester Burnham, anyone?) is going to be heaped with
glowing praise by critics, who are mostly middle-aged white
guys. For some
reason, baseball seems to bring out the manipulative
sentimentalism in filmmakers – also usually middle-aged white
guys – who inevitably turn their movie into a gooey love
letter addressed to our national pastime.
Every time someone makes a new baseball flick, they try
to out-mush the previous one (Major League is the rare
example). I'm into
the sport as much as anyone else, but I took a powder circa The
Natural. Other
than being based on a true story, The Rookie is no
different than 1993's Rookie of the Year with American
Pie's Thomas Ian Nichols as a mediocre Little League pitcher
who breaks his arm and finds out he can throw 100 miles per hour
once the appendage heals. He too makes the improbable jump to
the major league, but that film doesn’t spread the schmaltz
like mustard on a Fenway Frank.
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