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Just
before Suzhou River unspooled at the Toronto
International Film Festival, a programmer described the film as Vertigo
if it were directed by Wong Kar-Wai.
It seemed like a silly statement to make and I chuckled
at the comparison as the lights went down.
An hour and a half later, I walked out of the theatre in
a delightful daze, wondering both where Ye Lou came from and how
he happened to make one of the year’s best films.
The
film is set in Shanghai and takes place around the city’s
filthy Suzhou River (hence the title).
The main character in Suzhou is a hapless
videographer whose identity is never revealed to the viewer.
We never learn his name, and every scene he’s in is
filmed from his point of view.
He spends his days spray-painting advertisements for his
struggling business around the city, and his nights are consumed
by watching videos.
The
main character’s lethargic nature seems to be due to a breakup
with Meimei (Xun Zhou, the blind girl from The
Emperor and the Assassin), a beautiful woman he met
while he was filming the mermaid show at a bar for one of his
clients. The film
is full of flashbacks and replayed conversations, like one
haunting exchange where Meimei asks him if he’ll spend his
whole life looking for her.
He says he will, but she doesn’t believe him.
A
chance encounter seems to bring the main character back to life.
He meets Mardar (Hongshen Jia), a bike messenger who has
just been released from prison. Mardar served three years in the pokey for botching a
kidnapping attempt that he and his former girlfriend concocted
to extort money from her wealthy father.
Not only did he end up in the clink, but his ex took a
header off a bridge into the murky Suzhou after telling him that
she’d come back one day … as a mermaid.
If
you’ve seen Vertigo, you can probably figure out that
Mardar thinks Meimei is his girlfriend (she’s also played by
Zhou). Although writer/director Ye Lou swears his film wasn’t
meant to be like Hitchcock’s classic, the parallels are
unmistakable. Mardar
assumes the Jimmy Stewart role, while Meimei plays the double
role originally handled by Kim Novak.
Ye
Lou does an amazing job of establishing the dirty,
claustrophobic feel of both Shanghai and the gloomy, polluted
Suzhou, which becomes just as important as any of the film’s
characters. You may
have to go out of your way to find it, but Suzhou is a
film that should definitely not be missed.
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