| Actor Tim
Roth's directorial debut has already garnered incredible
reviews and multiple awards/nominations during its European
run. But as The War Zone is set to open in North America, it
lacks both a major distributor and the buzz necessary to
propel the film through the award season. The reason is simple
- the theme of the film (incest) is just too disturbing. When
the director describes his feelings toward the subject matter
as "disgusting and evil," marketers and potential
viewers tend to back away. The last film that shook me up this
much was Anjelica Huston's Bastard Out of Carolina
(ironically, another actor making a directorial debut), which
went straight to cable because of the premise (child abuse).
The War Zone opens in an
isolated part of North Devon, where a family of four has just
moved from London. They appear to be a happy, cohesive unit -
wisecracking, blue-collar Dad (Ray Winstone, Nil By Mouth),
pregnant Mum (Tilda Swinton, Orlando) and their two teenage
children that miss the bustle of London: 18-year-old Jesse
(Lara Belmont) and 15-year-old Tom (Freddie Cunliffe). Other
than being a little open with nudity, the family seems to be
as normal as can be. But, then again, the Burhams seemed
pretty normal on the surface of American Beauty, too.
After the birth of his baby
sister, Tom begins to suspect something devious is going on
between his dad and Jessie. He thinks they may have been in
the shower together and he finds naked pictures of his older
sister in a dresser. Tom confronts Jessie, but she denies
everything. As his suspicion grows, you can almost feel the
emptiness in Tom's stomach when he watches Dad play with the
new baby. Then, one day in an old military bunker near their
home, Tom stumbles onto a situation that will forever change
the family.
The film is brutal to watch,
even for a hardened viewer like myself. At the screening I
attended during the Toronto International Film Festival, many
film fans walked out during the bunker scene. One man shouted
"Is this really necessary?" at the screen before
loudly chastising the remaining audience for "just
sitting there." His ranting could still be heard as he
stormed through the lobby and out the door. The scene is that
powerful. It seems to go on for ages and was uncomfortable
enough before the outburst.
Roth's (Hoodlum) filmmaking
debut is as good as they come, purposefully leaving many
questions open after the credits roll. He refused to answer
many questions during the Q&A session after the screening,
often responding "Well, what do you think?" to
queries about characters. He appeared visibly nervous, saying
that the book (written by Alexander Stuart) made him weep,
while the subject matter "disturbs the f--- out of
him." Roth, who alluded to the fact that he too was a
victim of similar abuse, said that he tried to be honest and
respectful to the subject matter that obviously hit close to
him for him and a surprising portion of the audience.
During the Q&A, Belmont
was standing off in the shadows near the theatre's exit. As
people began to leave, they would see the amazing actress,
approach her and, unable to vocalize their feelings, touch her
hand before hurrying out the door, their eyes brimming with
tears. Her performance is beyond incredible and, amazingly,
The War Zone is her first acting gig. Ditto for Cunliffe, in a
portrayal of a young teen at an age when he should be
discovering his own sexuality, but instead finds a nightmare
beyond words. Roth explained that he cast these roles with the
intention of using unknowns. In addition to the fine acting
and direction, cinematographer Seamus McGarvey (The Winter
Guest) helps to apply a bleak, cold feel to the film. Like it
wouldn't have been anyway.
1:38 -
but includes nudity, strong sexual content including rape and
incest, adult language and violence
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