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Michael Douglas is not getting
any younger. In Wonder
Boys, he plays an English professor from western
Pennsylvania. He
wears a woman’s bathrobe, is never seen without an effeminate
red scarf, and has old-lady glasses like Sally Jessy Raphael.
His character is middle-aged, rumpled and sad, but I’m
not even sure this is acting.
To think that this guy knocked up Catherine Zeta-Jones is
as disgusting as it is perplexing.
Douglas (A
Perfect Murder) plays Grady Tripp, who, in addition to being
an English teacher, is a successful novelist that hasn’t been
able to finish the follow-up to his critically acclaimed success
from seven years ago. And
when I say he isn’t able to finish it, I mean he isn’t
mentally able. Grady
has several thousand single-spaced pages typed but is no closer
to the ending than when he began.
Grady also
has a few other things going on his life.
His wife just left him and he’s hot for one of his
students (Katie Holmes, Dawson’s Creek).
Terry Crabtree (Robert Downey Jr., Bowfinger), his
editor, is on his way into town to read the book that Grady
assured him was finished. Grady’s
girlfriend (Frances McDormand, Madeline), who happens to
be the Chancellor at his unnamed university, is pregnant despite
the fact that it’s been a while since she’s slept with her
husband (Richard Thomas, John-Boy Walton), who happens to be the
Chairman of the English Department.
As if that
isn’t enough to occupy his mind (and yours), Grady and an
awkward student named James Leer (Tobey Maguire, The Cider
House Rules) spend a day on the run after they accidentally
kill the Chancellor’s dog.
As things begin to spiral out of control, you can’t
help but think about a younger Douglas going through similar
situations in Falling Down. The actor also provides the gravelly narration for the film,
which is told in the first-person through his character.
Wonder
Boys is the first film Curtis Hanson has directed since his
amazing adaptation of L.A. Confidential.
It offers further proof that anyone can direct a really
great script. Not
that he’s a bad director or anything - in fact, there are
several nice hand-held camera shots from interesting angles in
the film, while cinematographer Dante Spinotti (who worked on Confidential
and The Insider) gives the picture a warm, rich look.
The film was shot on location in western Pennsylvania,
and Carnegie-Mellon University was used for the school shots.
The script
was adapted from Michael Chabon’s novel by Steven Kloves (Flesh
and Bone). Kloves’
script follows the book pretty closely, but for time’s sake,
he is forced to leave off a great scene where Grady takes James
to his in-laws’ for Passover dinner.
The acting is pretty solid all around, but the casting is
a little goofy. In
the book, Grady and Terry were supposed to have met in school,
implying that they’re close in age.
Douglas and Downey, Jr. are over twenty years apart in
real life.
The best
part about the film is the amazing soundtrack, highlighted by a
new Bob Dylan song (“Things Have Changed”) recorded
exclusively for Wonder Boys.
There are three other Dylan songs included in the film,
along with numbers from Buffalo Springfield, John Lennon and Van
Morrison. Standouts
include Leonard Cohen’s “Waiting for the Miracle,” which
you may remember from Natural Born Killers, and Neil
Young’s “Old Man,” which, while laughably appropriate, is
remarkably poignant in the film.
This is the first “must-have” soundtrack of the year.
Curiously,
the title of the film is never explained – it’s the name of
the book that Grady is writing in Chabon’s novel.
So if you walk out thinking you missed something, you
really didn’t. Just
some money and a little bit of your time.
1:52
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for adult language, minor sexual content and drug/alcohol use
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